Judge Sykes in the Classroom—Criminal Law

The summer 2026 issue of the Marquette Lawyer magazine has a number of entries concerning the Hon. Diane S. Sykes, L’84, including a set of one-page essays by seven different faculty on how their Marquette Law School courses draw on her writings as a judge of the U.S. Court of Appeals for the Seventh Circuit since 2004 or as a justice of the Wisconsin Supreme Court between 1999 and 2004. This is the third of the seven essays. The illustration of the faculty member, taken from the magazine and appearing here with the blog post, is by John Jay Cabuay.

Headshot art of Professor Chad M. OldfatherA little more than a decade ago, I switched from teaching Criminal Law with a traditional casebook, featuring opinions from across the United States, to doing so using almost entirely Wisconsin materials. One of the benefits of the change is that it allows students to start to familiarize themselves with the criminal code many of them will spend their lives working with. They begin to learn how to work with the statutes, including how to interpret their occasionally unclear provisions. So the 2004 case of State ex rel. Kalal v. Circuit Court for Dane County—more often referred to simply as Kalal—would have appeared in the materials I prepared no matter what the statute it interpreted: For more than two decades, it has served as the authoritative source on statutory interpretive methodology in Wisconsin. And it would have appeared early in the semester, among the other foundational concepts.

But, as it happens, the substance of Kalal involves questions that are appropriate to a criminal law class also in a general sense—in fact, foundational, beginning-of-the-semester concepts. The case concerns an effort to invoke Wis. Stat. § 968.02, which creates a mechanism to bypass a district attorney’s exercise of prosecutorial discretion in cases where “a district attorney refuses or is unavailable to issue a complaint.” In the case, the Dane County district attorney had not pursued a former employee’s claim that her employer stole money meant for her 401(k) retirement account. The district attorney’s office had not expressly said that it was not going to proceed.

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Judge Sykes in the Classroom—Legal Writing

The summer 2026 issue of the Marquette Lawyer magazine has a number of entries concerning the Hon. Diane S. Sykes, L’84, including a set of one-page essays by seven different faculty on how their Marquette Law School courses draw on her writings as a judge of the U.S. Court of Appeals for the Seventh Circuit since 2004 or as a justice of the Wisconsin Supreme Court between 1999 and 2004. This is the second of the seven essays. The illustration of the faculty member, taken from the magazine and appearing here with the blog post, is by John Jay Cabuay.

Headshot art of Professor Lisa A. MazzieEvery fall semester, my first-year class in Legal Analysis, Writing & Research 1 is filled with eager students, excited to learn the law.

Law students and lawyers know that legal writing is a skills class. I don’t teach doctrine for its own sake, as does, say, a torts professor who teaches about negligence, its elements, and its nuances. I work with students as they learn how to work with doctrine, doing so through an issue grounded in any area of law, whether tort, contract, criminal, constitutional, or property law. Or something else entirely. The overall framework for my instruction is legal reasoning: rule-based, analogical, and policy-based. And that is the order in which I introduce them.

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What’s Behind The Devil Wears Prada 2? The Making of Iconic Trademarks. That’s All.

Twenty years ago, the movie The Devil Wears Prada entered our collective cultural consciousness. Adapted from a “fictional” book written by Lauren Weisberger, a former assistant to VOGUE’s Editor-in-Chief Anna Wintour, the movie cemented the impact of a tell-all behind the scenes reveal of perhaps the most influential fashion magazine of the 20th century and its management. As The New York Times observed in a review of the book in 2003, “does it even matter what’s actually on the page when everybody is reading between the lines?”  The book had raised eyebrows (to say the least) in VOGUE circles, and, when the movie premiered it was understood that the plot was all about Anna Wintour. Despite the takedown quality of the narrative, some reviewers of the book went so far as to say the hidden hero of the book was the Anna Wintour/Miranda Priestly character. The Editor-in-Chief that has her assistants running for lattes and takes down Andrea “Andy”/Lauren with a lesson in the history of cerulean blue was every career woman’s secret idol. “Andrea’s aura of self-importance is almost enough to make you sympathize with the Prada-wearing devil herself,” said the same New York Times book review. Meryl Streep, who played Miranda Priestly in the movie, explained that she modeled the character on men in positions of power.  Despite all the chatter, there was, however, no official VOGUE feature on the movie in 2006 and no dedicated article, although Anna Wintour did attend a benefit screening of the film. In other words – “no comment.”

Flash forward twenty years, and how things have changed! We have a sequel, The Devil Wears Prada 2, in the vein of so many other movie franchises based on intellectual property (ask any Marvel fan). VOGUE, now managed by Editor-in-Chief Chloe Malle, put Anna Wintour (now Chief Content Officer for Condé Nast and global editorial director for VOGUE) and Meryl Streep on the magazine’s May cover. Wintour and Streep appear under the heading “Seeing Double: When Miranda Met Anna”.

The May 2026 cover of Vogue
The May 2026 cover of Vogue
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