Say, You’re a Copyright Lawyer–Can I Get a Patent on That Name?

Reading the New York Times this morning, I was intrigued by this entry in the table of contents:

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Copyrights in India? Cool! But hang on a second—what’s that about “brands”?

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Ah, I see, it’s another journalist confused about the difference between patents, copyright, and trademarks. (The title of this post is the punchline of a joke told by Paul Goldstein about this problem.) It matters, to me at least, because copyright has enough of a public image problem without getting blamed for patent and trademark controversies as well.

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Randomness, Rules, and Reason

Binary Code 1 (bw)Michael’s post below had an intriguing overlap with the tail end of my post from yesterday: to what extent does randomness undermine meaning? Michael was writing about a provocative proposal by Bernard Harcourt in a discussion he contributed to; Harcourt proposes making more aspects of criminal procedure explicitly random. Harcourt’s basic idea seems to be that the goal of completely rational punishment is a lost cause, and that therefore the criminal justice system should openly embrace randomness. As several of the commenters on Harcourt’s proposal suggest, however, even the attempt to justify punishment may serve some goals. Or as Michael himself puts it: “Randomization . . . would radically undermine the social meaningfulness of the sentencing process.” A random sentence is a sentence without meaning.

This seemed very similar to an issue in copyright law that I touched on at the end of my very long post yesterday. One of the troubling aspects of many photograph copyright cases is the amount of randomness that often enters into photographs and videos. Copyright protects the expression of ideas. To qualify as expression, the material has to convey some idea or purpose to its audience; it has to mean. Randomness, however, seems to undermine meaning. Mannie Garcia unintentionally expressed the tension nicely when he described how he captured his now-famous photograph of Obama: “And then it happened: Boom, I was there, I was ready.” To the extent the “boom” outweighs the “I was ready,” it also seems to outweigh meaning. Abraham Zapruder did not intend to convey any message at all about the Kennedy assassination; he was simply there recording when it happened.

There may be another parallel between copyright and sentencing. There are recent copyright decisions expressing the view that an author can go too far in the other direction. To the extent that a set of data is rigidly determined, not by randomness, but by a set of rules or external constraints, courts have held that such data fails to “mean” as well, and again is not copyrightable. This would appear to mirror the recent turn in the constitutionality of sentencing. Random sentences are bad; but so are sentences in which all discretion is removed from the sentencing judge. The Supreme Court has never put it this way, to my limited knowledge, but the intuition might be that such sentences also fail to mean anything; they are not expressions of society’s determination of the seriousness of that particular offense. Meaning, like perhaps all of life, appears to lie in the border between order and chaos.

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The Obama “Hope” Poster Case — Mannie Garcia Weighs In

(This is the 7th in a series of posts on Fairey v. Associated Press. See below for other posts in the series.)

[Update (7/23): The court granted Garcia’s motion to intervene, which was unopposed. AP’s and Fairey’s answers are due Aug. 14, fact discovery will continue until October, and the next status conference in the case will be Nov. 20, meaning we will most likely not get a summary judgement hearing until 2010.]

With the crunch at the end of the semester, my series on the Obama Hope poster case petered out unexpectedly. Among the events I noted silently to myself in the interim were Fairey’s answer to AP’s counterclaims and a trio of NPR interviews on the case with Shepard Fairey, Mannie Garcia, and law professor Greg Lastowka.

There’s nothing like a fresh filing to get one out of the doldrums, however. On Thursday, the other shoe in this case dropped when Mannie Garcia, the photographer who shot the Obama photograph at issue, filed a motion to intervene in the case as a defendant. (Quick, Civ Pro students: what rule?) Garcia’s proposed answer, counterclaims, and cross-claims assert that the photograph is copyrightable, that Garcia, not AP,  is the copyright owner in the photograph, and that Fairey infringed his copyright. I’ll focus on two interesting aspects of the filing after the jump.

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