The Skinny-Label Case: A Unanimous Supreme Court Sides with the Generic

Supreme CourtJust this morning, the Supreme Court issued its slip opinion on Hikma v. Amarin, the most recent “skinny-label” case, and it did so unanimously. Justice Jackson, writing for all nine, reversed the Federal Circuit and held that Amarin’s lawsuit against the generic manufacturer Hikma cannot survive a motion to dismiss. I had planned to spread this story across a short series (with the first one going live today — the life of an academic!), yet the Court’s timing collapsed it into one post. So let me take it from the top: how the generic-drug bargain works, how a fish-oil pill turned into a Supreme Court case, what the Justices made of it, and why this quiet dispute is one of the more consequential drug-pricing rulings in years.

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What’s Behind The Devil Wears Prada 2? The Making of Iconic Trademarks. That’s All.

Twenty years ago, the movie The Devil Wears Prada entered our collective cultural consciousness. Adapted from a “fictional” book written by Lauren Weisberger, a former assistant to VOGUE’s Editor-in-Chief Anna Wintour, the movie cemented the impact of a tell-all behind the scenes reveal of perhaps the most influential fashion magazine of the 20th century and its management. As The New York Times observed in a review of the book in 2003, “does it even matter what’s actually on the page when everybody is reading between the lines?”  The book had raised eyebrows (to say the least) in VOGUE circles, and, when the movie premiered it was understood that the plot was all about Anna Wintour. Despite the takedown quality of the narrative, some reviewers of the book went so far as to say the hidden hero of the book was the Anna Wintour/Miranda Priestly character. The Editor-in-Chief that has her assistants running for lattes and takes down Andrea “Andy”/Lauren with a lesson in the history of cerulean blue was every career woman’s secret idol. “Andrea’s aura of self-importance is almost enough to make you sympathize with the Prada-wearing devil herself,” said the same New York Times book review. Meryl Streep, who played Miranda Priestly in the movie, explained that she modeled the character on men in positions of power.  Despite all the chatter, there was, however, no official VOGUE feature on the movie in 2006 and no dedicated article, although Anna Wintour did attend a benefit screening of the film. In other words – “no comment.”

Flash forward twenty years, and how things have changed! We have a sequel, The Devil Wears Prada 2, in the vein of so many other movie franchises based on intellectual property (ask any Marvel fan). VOGUE, now managed by Editor-in-Chief Chloe Malle, put Anna Wintour (now Chief Content Officer for Condé Nast and global editorial director for VOGUE) and Meryl Streep on the magazine’s May cover. Wintour and Streep appear under the heading “Seeing Double: When Miranda Met Anna”.

The May 2026 cover of Vogue
The May 2026 cover of Vogue
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Quick Reactions to the Cox v. Sony Music Oral Argument

The Cox v. Sony Music Entertainment argument just ended as I started this; here are my immediate takeaways. (For more detail on the case, see my blog series over the weekend: Part 1 on the contributory infringement test, Part 2 on the confusion about the required mental state after Grokster, and Part 3 on the connections between contributory copyright infringement doctrine and the common law.)

It’s almost always difficult to predict a result, or even votes, based on the oral argument, and I haven’t even had the opportunity to read the transcript yet. But here’s a few things that stood out to me:

1. Much of the argument focused on the required state of mind for liability. There was basically no appetite from anyone for adopting the Restatement/Gershwin standard of knowledge of the wrongdoing. Cox, represented by Joshua Rosenkranz, and the Solicitor General’s office, represented by Malcolm Stewart, argued that contributory liability requires a showing that the defendant shared the same purpose as the direct infringer, and wanted to accomplish the same goal — a standard drawn from the many criminal aiding and abetting cases cited in Twitter. A number of questions from the justices seemed to support this idea, leading Justice Gorsuch at one point to conclude, perhaps optimistically, that a consensus view had emerged on that. In response, Paul Clement, representing the music companies, argued that intent was the correct standard, defining intent as including, under Restatement 2d of Torts sec. 8A, substantial certainty that harm to the plaintiff will result from one’s actions.

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