Postgraduate Information

“I had learnt the true practice of law.  I had learnt to find out the better side of human nature and to enter men’s hearts.  I realized that the true function of a lawyer was to unite parties riven asunder.”

Before disclosing the author of this reflection committing, with the heart and mind of an attorney, to serve the best interests of both sides of an argument, some context and thoughts of my own:

The speaker of the words above earned his law degree in London in 1891.  Upon “graduation” and returning to his native nation with the intention of undertaking the successful practice of law, he was deeply frustrated to find that nothing he had learned in fact applied to the legal situations he was asked to serve in.  His colleagues called him the “briefless barrister.”  After two failed years of attempts to force himself into successful practice, he accepted the chance to start again in a new atmosphere, and went to a new country, South Africa, with hopes that a changed mindset and atmosphere could yield a better outcome for the application of his mind and efforts.  This did in fact work, but the financial and professional success came only after the realization above, which came along with rejecting a legal model in which the author felt the only interests served were the financial interests of the lawyers. 

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Art History Mystery, Part 2

figure-2In the previous post, I detailed how the figure to the left of Moses must be Sir William Blackstone. I had thought that the figure to the right of Moses was King Solomon. The iconography of the throne, crown, royal purple, and scales all point to Solomon. However, this figure is beardless, and artists have traditionally depicted Solomon as a bearded, often old, king (see, e.g., a ninth-century German illuminated Bible, and Renaissance depictions such as the panel of Solomon meeting the Queen of Sheba panel from Ghiberti’s famed “Golden Doors” of the Florentine Baptistry, and also the fresco by Piero della Fransceca in Arezzo). On the other hand, artists from later centuries did portray the famous ruler as clean-shaven (see, e.g., this 18th-century Russian icon, and an engraving by the 19th-century master Gustav Doré).

However, noticeably absent from the stained glass was any iconography of a sword (cf. ‘splitting the baby’ from 1 Kings 3:16-28). A fellow law student held that the figure was really King David.

One authority, though, holds that the figure is neither David nor Solomon. During his spring 2008 visit to the law school, Judge Pryor of the US Court of Appeals for the Eleventh Circuit, who had identified Blackstone, offered Lady Justice as the likely candidate. This would account for the beardlessness, and the classic imagery of the scales is present. However, absent are the iconic sword and blindfold, and Lady Justice usually is not crowned. It’s a tough call. I welcome feedback to solve this art history mystery….

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