The Surprisingly Confused History of Fair Use: Is It a Limit or a Defense or Both?

The Supreme Court’s upcoming oral argument in Andy Warhol Foundation v. Goldsmith will focus on one of the most practically significant of the thorny questions of copyright law: what uses are fair? Fair use is both crucially important and profoundly murky. Indeed, its murkiness is part of its design. The doctrine of fair use has served since its inception as a sort of an amorphous safe haven for unwritten but important limits on a statutory right, decided on a case-by-case basis. It’s the Mutara Nebula of copyright law.

That makes fair use a bit of an anachronism in a modern age where statutes are read literally and every degree of judicial freedom has been crushed down into a multi-part test.  Indeed, fair use’s role in copyright law has arguably grown as judges, shut out of other ways of using discretion to decide copyright claims, have turned to fair use to accomplish what substantial similarity or limitations on scope once did.

That growing importance has set up the current conflict. In the last several decades, there have been attempts to define fair use more rigorously, to make it more predictable and ensure consistent application. The AWF case involves one of those — defining fair use as revolving around a single, critical concept: “transformativeness.” I’ll take a look at those efforts in a future post.

But there’s another aspect of the AWF case that makes it difficult. Fair use has historically served not one but two murky and undefined roles.

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The Stakes in Andy Warhol Foundation v. Goldsmith

Next week, the Supreme Court will hear oral argument in Andy Warhol Foundation v. Goldsmith, the first non-software fair use case the court has heard since 1994. This has copyright lawyers aflutter, as fair use law has been in increasing disarray for the last 20 years or so, and there is hope that finally the Supreme Court will give lower courts much-needed guidance. Unfortunately, I think the probability is higher of a mush-filled disaster of an opinion, like the one in Star Athletica v. Varsity Brands (2017), that not only gives no guidance, but eliminates the few stable boundaries we have.

That’s because fair use doctrine is a poor fit for the way modern courts operate, and there is probably little the Court can do to fix that, but a lot it can do to make the problem worse. But before I get there, I want to lay out in this post what’s at stake in AWF.

The case involves a licensing deal between celebrity photographer Lynn Goldsmith and Vanity Fair magazine.

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Welcome to Our October Guest Blogger!

Our Student Contributor for October is 3L Emilie Smith. Emilie is from Green Bay, Wisconsin, and has a strong interest in Business Law and Intellectual Property Law. She currently has a comment pending publication in the Marquette Law Review on the digital recreation of copyrighted tattoos for use on video game avatars. Welcome Emilie!

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