Judge Sykes in the Classroom—Legal Writing

The summer 2026 issue of the Marquette Lawyer magazine has a number of entries concerning the Hon. Diane S. Sykes, L’84, including a set of one-page essays by seven different faculty on how their Marquette Law School courses draw on her writings as a judge of the U.S. Court of Appeals for the Seventh Circuit since 2004 or as a justice of the Wisconsin Supreme Court between 1999 and 2004. This is the second of the seven essays. The illustration of the faculty member, taken from the magazine and appearing here with the blog post, is by John Jay Cabuay.

Headshot art of Professor Lisa A. MazzieEvery fall semester, my first-year class in Legal Analysis, Writing & Research 1 is filled with eager students, excited to learn the law.

Law students and lawyers know that legal writing is a skills class. I don’t teach doctrine for its own sake, as does, say, a torts professor who teaches about negligence, its elements, and its nuances. I work with students as they learn how to work with doctrine, doing so through an issue grounded in any area of law, whether tort, contract, criminal, constitutional, or property law. Or something else entirely. The overall framework for my instruction is legal reasoning: rule-based, analogical, and policy-based. And that is the order in which I introduce them.

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What’s Behind The Devil Wears Prada 2? The Making of Iconic Trademarks. That’s All.

Twenty years ago, the movie The Devil Wears Prada entered our collective cultural consciousness. Adapted from a “fictional” book written by Lauren Weisberger, a former assistant to VOGUE’s Editor-in-Chief Anna Wintour, the movie cemented the impact of a tell-all behind the scenes reveal of perhaps the most influential fashion magazine of the 20th century and its management. As The New York Times observed in a review of the book in 2003, “does it even matter what’s actually on the page when everybody is reading between the lines?”  The book had raised eyebrows (to say the least) in VOGUE circles, and, when the movie premiered it was understood that the plot was all about Anna Wintour. Despite the takedown quality of the narrative, some reviewers of the book went so far as to say the hidden hero of the book was the Anna Wintour/Miranda Priestly character. The Editor-in-Chief that has her assistants running for lattes and takes down Andrea “Andy”/Lauren with a lesson in the history of cerulean blue was every career woman’s secret idol. “Andrea’s aura of self-importance is almost enough to make you sympathize with the Prada-wearing devil herself,” said the same New York Times book review. Meryl Streep, who played Miranda Priestly in the movie, explained that she modeled the character on men in positions of power.  Despite all the chatter, there was, however, no official VOGUE feature on the movie in 2006 and no dedicated article, although Anna Wintour did attend a benefit screening of the film. In other words – “no comment.”

Flash forward twenty years, and how things have changed! We have a sequel, The Devil Wears Prada 2, in the vein of so many other movie franchises based on intellectual property (ask any Marvel fan). VOGUE, now managed by Editor-in-Chief Chloe Malle, put Anna Wintour (now Chief Content Officer for Condé Nast and global editorial director for VOGUE) and Meryl Streep on the magazine’s May cover. Wintour and Streep appear under the heading “Seeing Double: When Miranda Met Anna”.

The May 2026 cover of Vogue
The May 2026 cover of Vogue
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Judge Sykes in the Curriculum—Torts

The summer 2026 issue of the Marquette Lawyer magazine has a number of entries concerning the Hon. Diane S. Sykes, L’84, including a set of one-page essays by seven different faculty on how their Marquette Law School courses draw on her writings as a judge of the U.S. Court of Appeals for the Seventh Circuit since 2004 or as a justice of the Wisconsin Supreme Court between 1999 and 2004. This is the first of the seven essays. The illustration of the faculty member, taken from the magazine and appearing here with the blog post, is by John Jay Cabuay.

Professor Alex LemannMy first-year torts class reaches something of a climax when we read Palsgraf v. Long Island Railroad Co., the landmark 1928 New York Court of Appeals decision. Palsgraf is one of those old chestnuts that are simply irresistible to law professors. It combines engrossing facts, beautiful writing, and philosophical richness. I would probably assign it even if it didn’t have canonical status and thus represent part of the esoteric lingua franca by which first-year law students are inducted into the cult of lawyers.

But Palsgraf can feel, after almost a century of life, somewhat remote. For students in Wisconsin in 2026, who often find the case to be the single most confusing thing they read all semester, a reasonable objection might be “what’s the point?”

The good news for me as a teacher of tort law is that Wisconsin has its own Palsgraf, a 2003 state Supreme Court opinion called Alvarado v. Sersch, which I assign every year immediately after the perhaps somewhat hoary original. Like Palsgraf, Alvarado deals with the question of how far negligence liability ought to extend in situations where the connection between breach and injury feels attenuated.

In Alvarado, the plaintiff was cleaning a student apartment in Madison, at the end of an 11-hour shift during the hectic mid-August turnover period, when she found what she thought was a candle that had been overlooked by the property manager during his inspection of the apartment. The candle turned out to be a firework, and when Alvarado lit the fuse to preserve the pilot light of a stove she intended to clean, it exploded, blowing off most of her right hand.

Both the majority opinion, by Justice Ann Walsh Bradley, and Justice Diane Sykes’s dissent in Alvarado engage with Palsgraf and the role it ought to play in 21st-century Wisconsin tort law. Part of the benefit of assigning the case is simply to show students that Wisconsin—most unusually—follows Judge William Andrews’s dissent in Palsgraf, meaning that limitations on negligence liability in Wisconsin are based on an assessment of public policy rather than subtle philosophical elucidations of the concepts of duty and breach, as Judge Benjamin Cardozo set forth for the Palsgraf majority.

But another benefit of Alvarado as pedagogy is having students closely examine the point of departure between majority and dissent and push themselves to be precise in understanding the arguments that might have proved decisive. From this perspective, Justice Sykes’s opinion is a gem, all that a dissent should be: it is shorter than the majority, it eschews scoring easy rhetorical points for the sake of rhetoric alone, and it raises valid concerns about the real-world impact of the majority’s position. I feel confident that, like Palsgraf, Wisconsin law students will still be reading Justice Sykes’s Alvarado dissent a century after it was written.

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