The Windmill’s Reply

Abandoned Mill of SaintesEd Fallone’s fascinating post below on the Catcher in the Rye suit, now being briefed in the Second Circuit, is worth reading. I was particularly interested in Ed’s discussion of Cervantes’s criticism of an unauthorized sequel to Don Quixote. Copyright scholarship occasionally mentions that Cervantes rushed Part II of Don Quixote into print because of pressure from a competitor, but I hadn’t heard the details before. Cervantes’s reaction to the implicitly critical sequel does seem like an important moment in the development of the idea of the fictional author as master of his or her creation.

However, I also want to offer a contrary view on a couple of points that Ed raises. First, Ed concludes that copyright’s commercialization of creative works is a problem. One solution, Ed proposes, is to eliminate copyright protection for literary characters. I disagree with both sides of this equation. There’s an emerging problem with copyright law, but it’s not commercialization of creativity. Commercialization of creativity is the entire reason copyright law exists. And eliminating copyright protection for sequels across the board would create far more problems than it would solve.

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Caufield Meets Quixote

p003Last Thursday, a brief was filed with the United States Court of Appeals for the Second Circuit in the case of Salinger v. Colting.  This lawsuit, alleging breach of copyright, has received a great deal of attention because the plaintiff is the reclusive author J.D. Salinger.  He sued Swedish author Fredrik Colting in New York over the latter’s book 60 Years Later: Coming Through the Rye, a novel in which one character is a 76 year old Holden Caufield.  United States District Judge Deborah Batts rejected Colting’s argument that his use of the Holden Caufield character constituted a critical commentary on the Salinger novel The Catcher in the Rye, and therefore fell within the “fair use” exception to copyright infringement.  She granted Salinger’s request for a preliminary injunction preventing the publication of the work in the United States.  Salinger’s lawyers filed a brief asking the Second Circuit to uphold Judge Batts’ order on August 13.

Some observers of the case have focused on its unusual grant of the plaintiff’s request for an injunction — this is a rare instance of U.S. law allowing a prior restraint on publication.  Other observers have debated the intersection of First Amendment rights and copyright protections implicated by the lawsuit.  In contrast, when I heard about the case, my thoughts turned to Don Quixote.

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Stephen Jay Gould on Jim Bowie, Bill Buckner, and Storytelling

AlamoStephen Jay Gould, the eminent scientist and Harvard professor, was interested in human pattern recognition in stories.  He referred to the patterns that human minds want to create as “canonical stories.” His essay entitled “Jim Bowie’s Letter and Bill Buckner’s Legs”, which appears in I Have Landed:  The End of a Beginning in Natural History, describes two famous stories — one of Jim Bowie at the Alamo and the other of Red Sox first baseman Bill Buckner.    

Gould explains how both of these stories have often been patterned into the form of a canonical story.  In the Alamo story, the canon focuses on the Alamo defenders’ valor and honorable death.  William B. Travis, a young commander at the Alamo, wrote a letter describing the siege, which ends with the phrase “VICTORY OR DEATH.”  (60)  This famous letter is often cited in Alamo legend, but Gould points out that Bowie also wrote a letter, which fails to get mentioned because it does not fit with the canon.  (60)  He goes so far as to say Bowie’s letter is “hidden in plain” sight, ignored in a glass case at the Alamo museum.  (60-61)  Bowie thought that Santa Anna was willing to negotiate, and he wrote in Spanish to Santa Anna asking whether Santa Anna had called for a parley.  (61-62)  Santa Anna responded that he would have no mercy without unconditional surrender.  (62)

Gould then surmises that even with this response, had Bowie been less ill, “some honorable solution would eventually have emerged through private negotiations” because Santa Anna and Bowie were seasoned battle veterans.  (62-63) 

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