Big Tobacco Sues Uruguay

fda cigarette warning lungsThose who follow efforts to use law to reduce smoking will be aware the United States Court of Appeals for the District of Columbia found in R.J. Reynolds v. FDA, 696 F.3d 1215 (D.C. Cir. 2012) that mandatory graphic imagery on cigarette packs was a violation of commercial speech rights. As a result of the decision, cigarette packs continue to have only prosaic warnings, which go not only unread but also, for the most part, unnoticed.

Foreign countries, of course, are not bound by U.S. law, and Uruguay forged ahead with its own laws requiring graphic warnings. They include photos of decaying teeth, premature babies, and disturbing hospital scenes, with each picture covering 80 percent of each pack. Big Tobacco cannot invoke its commercial speech rights in Uruguay, but Philip Morris has sued Uruguay for $25 million, alleging the required warnings violate treaties protecting intellectual property rights.

The case is in the courts, with former New York City Mayor Michael Bloomberg paying many of Uruguay’s legal costs. Smoking is on the rise in developing countries, and many think the decision in Uruguay will have significant impact on other developing countries’ willingness to require graphic warnings.

For my own part, I strongly endorse the required graphic warnings in the name of social justice. Smoking in both the United States and abroad is increasingly concentrated among poor and working-class men and women, and the health problems associated with smoking are also greater in these sectors of the world population. For the poor and members of the working class, reading skills and even any interest in written texts are limited, but poor and working-class smokers are aware of and receptive to visual imagery. If they could literally see what smoking causes, they might fight harder to break their deathly, addictive habit.

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The Most Popular Hollywood Law Movies

Liar LiarThe consensus among film critics seems to be that the “law movie” does not constitute a shaped genre comparable to the thriller or the romantic comedy. However, we can still speak more generally of movies in which a lawyer is a major character, a courtroom proceeding occurs, and the law itself has some role in the plot. Which are the most popular law-related movies of this sort in the history of the American cinema?

One answer to the question can be found on the International Movie Data Base website and on that website’s “All-Time USA Box Office Ranking.” The latter derives exclusively from theatrical box office sales and does not include video rentals, television rights, and other revenues. As of 2014, the most popular law-related movies are in order: “Liar Liar” (1997), “Chicago” (2002), “The Firm” (1993), “A Few Good Men” (1992), “Erin Brockovich” (2000), and “Kramer vs. Kramer” (1979).

I’m surprised by the list and by how few of the movies on the list correspond to what I consider the “best” law-related films. I’m also struck by how different the six movies are from one another. Indeed, going back to the notion of genre, with which I began this post, the six movies represent a wide range of genres.

Here’s how I would categorize the movies:

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R.I.P., Gabriel Kolko (1932-2014)

gabriel-kolko-tnI was saddened to read of the recent death of prominent historian Gabriel Kolko. He suffered from an incurable neurological disease and relocated to the Netherlands. He then took advantage of that nation’s legal euthanasia option and died in Amsterdam on May 19.

When I was an undergraduate, I read and found immensely provocative Kolko’s “The Triumph of Conservatism: A Reinterpretation of American History, 1900-1916” (1963). Kolko argued in the book that big businesses of the early twentieth century actually wanted the federal government to regulate them in order to avoid more restrictive legislation from state legislatures. Self-styled “Progressive” reformers, in Kolko’s interpretation, were wolves in sheep’s clothing. They worked in sneaky ways to preserve corporate power and to short-circuit efforts to rein in exploitative corporate profit-seeking.

In the later stages of his career, Kolko turned increasingly to American war-making and foreign policy, and his works included:

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