Israel Reflections 2017–The Israeli Supreme Court

Interior view of a hallway in the Isralei Supreme Court Building with natural light strwaming in from a row of windows.This year we were able to meet with two different former Israeli Supreme Court Justices–at the beginning and at the end of the trip–which provided great bookends to our week of learning.  Student Celeste Borjas reflects on the visit to the Supreme Court…

On our last day in Jerusalem we were able to tour the Israeli Supreme Court. The Israeli Supreme Court building is conveniently situated between the Israeli Parliament building (the Knesset) and the office of the Prime Minister. Our tour guide explained that this was purposeful, and was meant to symbolize the role of the judiciary as mediator of conflict. As we entered the building, I was taken aback by the amount of natural light entering through the windows. Though it was a very rainy day, there was no need for lamps or artificial lighting in the foyer. Another physical attribute of the Court foyer that caught my eye was the aesthetic created by a wall made entirely out of Jerusalem stone (a sandy-white limestone out of which most buildings in Jerusalem are constructed) standing opposite of a clean unadorned wall of white plaster. Our tour guide explained that this juxtaposition was meant to symbolize how the laws of men on Earth should complement the ultimate pursuit of eternal justice.

One of the first things to surprise me was that the Israeli Supreme Court actually operates similarly to the United States Court of Appeals. I had originally expected the highest court in Israel to resemble the Supreme Court of the United States. Not so. Like the U.S. Court of Appeals, the Israeli Justices (13 total) typically preside over cases in panels of three. Additionally, parties to a suit are entitled to an appeal at the Israeli Supreme Court as a matter of right. Moreover, any person may directly petition the Israeli Supreme Court (and bypass the district courts) if an action by an Israeli governmental entity contradicts/contravenes the basic laws of the Knesset. This last point reminded me of the power of the D.C. Circuit to hear cases involving federal agency action.

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Roggensack Calls for Defending Legitimacy of Courts from “Tough Talk” of Critics

Wisconsin Supreme Court Chief Justice Patience Roggensack wanted to use her Hallows Lecture at Marquette Law School on March 7 “to start what I hope will be a public conversation about a rising challenge to the institutional legitimacy of our courts, both state and federal.”

Roggensack launched the conversation with strong words for those she thinks are harming the standing of courts as a whole. She named names and spoke forcefully about the impact of those inside and outside the legal system who have disparaged some judges and justices in personal terms or who have said the Wisconsin Supreme Court and other courts make decisions based on political allegiances. She criticized what she called their “tough talk.”

“Most tough talk comes from those who have no conscious intent to harm the institutional legitimacy of courts, but have not considered the unintended consequences that may follow from their fully protected speech,” Roggensack said.

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From Immigration to Executive Orders to Judicial Review: Miracle or Not?

[The following guest post is from Jacques Condon, the alumni guest blogger for October 2016.] In the movie Die Hard, an enterprising police office played by Bruce Willis thwarts a large-scale robbery attempt (of, all things, bearer bonds). He does it barefoot, and clandestinely. But he also has aid from outside law enforcement which, unwittingly, is also used by the bad guys to their advantage. According to the lead bad guy, played by Alan Rickman, when asked what miracle will crack the safe to expose its riches, he responds: “You asked for miracles, Theo, I give you the F.B.I.”

The Die Hard “miracle” is rolled out for full entertainment value, and, to be sure, even Hollywood miracles that can be traced to non-fiction are sometimes hidden by the misnomers of “Based on a True Story” or “Taken From Real Events,” which allow for artistic license.

Yet this same point — the artistry of miracles — continually shows up in explaining and describing judicial rhetoric.

Nowhere has this been more than in the sound bites surrounding the President’s executive order on immigration.

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